Managing director of Farabi Cinema Foundation said:
"Resistance cinema is a strategic cultural point of the country, and
Farabi Foundation is active in the presence of artists and cinematographers in
this field, we will produce valuable works.
Alireza Tabesh, director of the Farabi Cinema Foundation,
attended the 23rd edition of the press at the booth of the Holy Defense News
Agency, in an interview with the reporter of the Arts and Culture Press , about
the need to pay attention to the cinematic sacred defense and resistance, said:
Iranian filmmakers and cinema They gave themselves to the holy defense cinema,
and a major part of the representation of the resistance of the Iranian people
by the cinema was made in various formats.
Tabesh added, "I
am delighted that cinema artists have taken a part in the cultural burden of
transferring the values of the sacred defense, which is appreciated.
"Even today, when it comes to the shrine's defenders,
we see that institutions and cinematic figures are sensitive and plan for
it," he said. Sacred Defense, in my opinion, is one of the strategic
issues in the country's cinema.
Tabriz added: Farabi's Cinema Foundation has been supporting
the construction of cinematic works on the sacred defense and the Islamic
Revolution and some of the less visible aspects of Iran's defense and
resistance and stability, and this year we also have several works in this area
that are in different stages There is a production that we hope will be of
interest to the people, especially the younger generation who needs this
cultural content.
Managing director of Farabi Cinema Foundation, referring to
the need to pay attention to the issue of shrine defenders, explained that we have been
screening the shrine's advocates whose work on the cinema of resistance at
Farabi Cinema Foundation is under review. This team is composed of cultural
officials and cinematographers in this field, and we have achieved good
results.
He continued on the work of the team: In the Cinema of
Resistance in Two Dimensions, the topics of the cinema of resistance are
examined. One dimension is the screenplay we get, which is based on the
priorities that are being evaluated and how they are supported. The second
dimension is the discussion of resistance cinema as a strategic issue for the
country and the national cinema. The issues to be addressed in the field of
resistance and the equipment that the holy defense cinema needs is discussed.
The director of the Farabi Foundation added: "In the
field of adaptation cinema and the support of writers of the Holy Defense
Literature, two works are on the agenda. One is an animated cinema and the
other is a narrative cinema that is being written and turned into a script for
production.
Alireza Tabesh, in the end, said about the lack of
separation of the national and international film section of Fajr: "The
view of the separation of the national and international section of the Fajr
film from the very beginning has had many opponents and supporters. At the
moment, the decision of the cinema organization is still on the current
situation, the national and international section of Fajr will be held
separately. I hope that this separation eventually ends in favor of Iran's
valuable cinema. Everyone should move in the same direction so that the thirty
sixth festival of the Fajr Film Festival will be fruitful and fruitful.
